PORTRAITS
Portraits That Refuse to Behave.
‘The White Bunny Spectacle’
Freedom never looked this fierce.
In this radiant trio of mixed media portraits, Crypsybear and DigitalDi pull back the curtain on women who unmask, unchain, and unbother themselves into joy.
Layered with acrylics, gouache, pastel, stickers, spray paint and flashes of leaf metal, each work is a riot of rebellion — a spectacle where white bunnies, glitter chaos and bold smiles collide on fine-art paper.
It’s not just about escaping the cage — it’s about decorating it on the way out.
The White Bunny Spectacle #1
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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With a grin that cuts through conformity, she stands surrounded by white bunnies—chaotic, curious, and very much alive. Her joy isn’t polite; it’s rebellious. Golden leaf, cosmic stars, and playful decals collide with acrylic splatters and graffiti chaos. This is not a woman hiding—it’s a woman unleashed.
The White Bunny Spectacle #2
2025
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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In satin sheen and sharp heels, she once played the role—but the mask no longer conceals, it declares. Bunnies dance like echoes of her inner riot. Packaging from pop culture and scraps of glittering defiance crowd the scene. She's stepping out of the ballroom of expectations and into her own myth.
The White Bunny Spectacle #3
2025
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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Set against a lunar shimmer and symbols of desire, she’s halfway between fantasy and refusal. Bunnies nuzzle at her feet as she walks away from the script society handed her. Doodles, cosmic hearts, and fragments of rebellion orbit her like constellations. This is what escape looks like—feral, beautiful, and free.
‘Portraits from the Fast Food Restaurant’
Portraits Served with Extra Sauce.
In this pop-art infused portrait series, I serve up a sharp take on consumption, convenience, and the golden glow of corporate omnipresence.
Layered with real fast food packaging — from burger wrappers to fry boxes — these mixed media works turn brand identity into personal identity, blurring the line between craving and culture.
It’s seductive. It’s familiar. And it’s just a little too easy to swallow.
Portrait from McDonalds
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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A clown no longer laughing with us—but at us. Buried in wrappers, logos, and golden arches, this pop-art portrait is a hyperactive explosion of brand worship and blind appetite. The red grin stretches too wide, echoing the unsettling joy of a culture that smiles while consuming itself. It’s not just Ronald—it’s the grotesque face of fast gratification, where nostalgia meets nutritional nihilism. Real packaging clings to the canvas like evidence at a crime scene. This isn’t just a portrait; it’s a warning dressed as fun.
Portrait from Burger King
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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He stands like royalty — crisp suit, golden tie, flame-scorched dignity. But this isn’t your average brand ambassador; it’s a monarch crowned by branding, baptized in fire. The real burn marks — created with an improvised flamethrower — pierce through the polished surface, revealing both the seduction and the violence of consumer culture. This isn’t destruction for destruction’s sake — it’s transformation. The portrait critiques excess with elegance, making space for something new to emerge from the ashes. Yes, it’s charred — but it still wears the crown.
Portrait from KFC
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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The mascot mutates into myth—half chicken, half corporate Frankenstein. Drenched in slogans and drenched in irony, the artwork flutters between absurdity and accusation. Colonel Sanders haunts the background like a prophet of deep-fried indulgence. Here, consumption becomes identity, and brand loyalty looks more like servitude. Finger lickin’ good? Or finger lickin’ gone too far? The portrait peels back the grease-stained glamour to reveal a society so hooked on convenience, it doesn’t realize it’s being devoured too.
Portrait from Subway
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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Here, fantasy dives deep — to a submarine sandwich shop staffed by a cool-blooded, no-nonsense lizard. The portrait doesn’t explain — it dreams. Logos swirl like seaweed, lettuce floats in suspended animation, and the crisp yellow-green palette suggests both freshness and artificiality. This is fast food as sci-fi — a surreal blend of brand logic and oceanic absurdity. But there’s beauty in the weirdness. It suggests that even in a system built for speed and sameness, there’s room for individuality, invention, even whimsy. Would you like pickles with that existential metaphor?
Portrait from Starbucks
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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She’s crowned in caffeine and cloaked in green—modern royalty of the branded world. Her smile is addictive, like the frappuccino in her hands, engineered to please and pacify. Logos, slogans, and sprinkles of irony swirl around her like latte foam, masking the rot beneath. From Seattle to Seoul, the siren song of global sameness drowns out authenticity. This portrait doesn’t just ask who she is—it dares to ask if we even care, as long as the Wi-Fi’s free and our name is spelled right on the cup. The background pulses with layered messages, and none of them are accidental.
Portrait from Pizza Hut
2025
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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The alien has landed — not in Area 51, but somewhere far weirder: a Pizza Hut. His oversized eyes and too-calm posture reflect our own dazed acceptance of consumption-as-culture. Branded with Pepsi patches and bathed in cosmic reds, the portrait leans into the surreal logic of advertising — because in a world this branded, even an extraterrestrial fits right in. And yet, this isn’t cynical. It’s playful, strange, inviting us to see how bizarre our norms really are. If the alien can belong, maybe we can too — as long as we bring a sense of humor.
‘Portraits from the Ballroom’
Elegance with an Edge.
Portraits from the Ballroom reimagines elegance through a rebellious lens. These mixed media works veil familiar glamour in silver and gold, challenging the gaze with every stroke of acrylic, gouache, and spray paint. What begins as a waltz through tradition ends in a bold statement on individuality — dazzling, defiant, and anything but conventional.
Portrait from the Ballroom #1
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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Step into the "Ballroom," where the masquerade is not one of disguise, but defiance. This portrait rips apart traditional elegance, revealing a woman who refuses to be anyone but herself. Her beauty is a weapon, her gaze a challenge, as she shimmers with a hidden, untamed strength. This isn't just art; it's a confrontation, a whisper of untold stories and a roar against societal cages. It's elegance, yes, but sharpened to an edge that dares you to look away.
Portrait from the Ballroom #4
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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In the shadows of the "Ballroom," a new kind of icon emerges, veiled in gold and mystery. This portrait doesn't just show a woman; it presents an enigma, her face a lunar disc reflecting an inner universe. Her pose is one of contemplation, yet her presence radiates an undeniable power that transcends mere beauty. She is the keeper of her own narrative, a silent challenge to the prying eyes of society, daring them to look beyond the surface and into the soul of a woman who owns her unyielding truth.
Portrait from the Ballroom #2
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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Forget the polite curtsies and constrained smiles of the "Ballroom." Here, a woman of intoxicating power and unapologetic beauty commands the space, shattering every expectation. Her allure is a raw, untamed force, hinting at secrets and desires too wild for polite society. This portrait isn't a passive display; it’s an insurrection in silk and shadow, a provocative refusal to dim her own magnificent light. She is the embodiment of an elegance so fierce, it borders on dangerous.
Portrait from the Ballroom #5
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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The heart of the "Ballroom" beats with a defiant rhythm, embodied in this striking portrait of a woman who wears her rebellion like a crown. Her piercing gaze cuts through the ornate façade, while her lips, a vibrant splash of defiance, promise untold stories. Her face, a canvas of bold markings, rejects the very notion of conventional beauty, transforming it into something wild and intensely personal. This is a provocative ode to individuality, a woman unmasked by her own strength, who demands to be seen on her own terms, fiercely and without apology.
Portrait from the Ballroom #3
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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The final dance in the "Ballroom" is not a waltz, but a revolution. This isn't just a portrait; it's a testament to the audacious spirit of a woman who revels in her own magnificent rebellion. Her beauty is a deliberate disruption, her composure a shield for a soul that refuses to be tamed. Every line, every gleam, screams defiance. This is elegance unchained, provocative in its power, and utterly captivating in its refusal to conform—a portrait that invites you to challenge everything you thought you knew about grace.
Portrait from the Ballroom #6
2024
Mixed Media on Fine Art Paper
30 × 40 cm | 11.8’’ x 15.7’’
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As the curtains draw in the "Ballroom," a woman stands, not as an object of admiration, but as a testament to untamed spirit. Her form is draped in an elegance that feels almost ancient, yet her presence is startlingly modern, her gaze holding a knowing, almost mischievous glint. Her veiled face isn't a concealment, but an announcement—a deliberate act of defiance against the expectation of transparency. She is a living enigma, a provocation cloaked in silver and gold, refusing to reveal anything but her indomitable will, forever redefining what it means to be truly captivating.